So while sideline enterprises like the new “Daredevil” TV series continue to pop up, the company can be so confident in the enduring appeal of its theatrical mainstays that it recently published a release schedule for its remaining big-gun commercial titles from now through the end of the decade. Hands-on producer Kevin Feige and his associates have built a cinematic empire quite unprecedented in Hollywood history, a veritable solar system of staggeringly profitable individual franchises unified by the overpowering collective force of the Avengers. Not that any of this will matter much, since the pent-up excitement among the enormous international fan base is so intense that nothing will keep the summer’s presumed biggest franchise blockbuster from soaring to and beyond the one-billion dollar threshold internationally. To be sure, series junkies will get their fix from the sheer massiveness of the exploits, but at least two of the big action scenes are lackluster, while the climax and resolution could have been worked out in more complex, less rote ways, so as to further increase intrigue and anticipation for “Avengers: Infinity War Parts 1 and 2,” already scheduled for release in May of 20, respectively. The powers of Marvel’s all-star superheroes go a bit wobbly in “Avengers: Age of Ultron.” Faced with the daunting prospect of topping the surprise and excitement of 2012’s The Avengers, the third highest-grossing film of all time, writer-director Joss Whedon mixes some brooding down-time in with the abundant spectacle.
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